The Year of Plug-ins

I have to start out by saying that I was never a huge fan of plug-ins when I was first learning After Effects and animation. I mainly didn't like plug-ins because they cost money, and any animator starting out knows that that is something hard to come by. It also frustrated me to watch a tutorial on something cool, only to have the person in the video tell me to go and buy a plug-in to achieve the effect. It always seemed like such a copout. I wanted to learn how to make these things with the program itself, so that is what I did. The downside to that path is that it takes much more time and work to get the effect; however, the upside is that you gain a better understanding in how the effects are achieved. In the long run I would suggest that anyone starting out in After Effects at least try to make an effect yourself before going and buying a plug-in. Plug-ins are great, but they can really become a crutch if you don't know how to make them yourself.

Regardless, over the past year I have found myself buying more plug-ins and I have to say I've found some really great ones.

Duik

Duik has been the one plug-in that I've always had for character rigging. The reason for that is because it was free! Not only is it free, but it's actually an extremely robust interface for creating character rigs. This is what I learned on and would truly recommend it for anyone out there trying to get into character animation. I don't think there is anything as customizable or robust when you know how to use it. That being said, Duik can be quite intimidating to start out with.

RubberHose

This is where RubberHose comes in. I had been hearing a lot about RubberHose over the past few years but was always hesitant to try it. For one, I already had Duik, so I felt I really didn't need something that did essentially the same thing. The other reason was that unlike Duik, RubberHose cost money. Regardless, I finally took the plunge this year and I have to say that I am finding uses for RubberHose. When it comes to rigging legs, RubberHose just seems to have a smoother look to the animation, where Duik can sometimes have issues with leg locking. That being said, RubberHose is still a more basic program. It's definitely what I would recommend for someone just starting out with character animation because the interface and set-up are a little more user friendly than Duik. But, as I said Duik can be more customizable in the end.

Joysticks 'n Sliders

Ok. This is my favorite plug-in this year. Joysticks 'n Sliders is an awesome tool that allows you to do what the name implies - make joysticks and sliders. That being said, it's an extremely powerful tool for tweening character animations and making an overall more robust and professional rig. This is especially evident when it comes to face rigs. Duik and RubberHose work great for rigging bodies, but any good animator knows that the face can hold so much expression and emotion. Thus the need to easily animate things like eyebrows, blinks, and mouths. Up until recently, I would always animate these layers individually, which was honestly a time consuming chore. With Joysticks 'n Sliders I can now animate all the facial assets easily in one simple location. The possibilities are endless with this one.

Honorable Mentions

Butt Capper - Easily add caps to strokes in After Effects. Seems simple, but it's seriously so helpful.
Dojo Shifter - Easily sequence layers in After Effects. Another simple but effective one.
Motion - A robust plug-in for adding different motion to your elements using only a simple interface. Good for making complex motions easily.
Pixellate It - Simple for giving a pixel look in After Effects
Boil It - Simple for giving a wiggle look in After Effects

Glenn Davis - Be Honest - UNOFFICIAL Music Video

I recently had the pleasure to work on one of my first full fledged music videos. The musician in question is Glenn Davis of the band Way Yes.  At the end of this month he will be releasing his very first solo album titled Waves & Webs.  Glenn recently helped me create the music for my 2016 reel and as a fellow Ohio native I felt extremely connected to helping him create a video for his single, Be Honest.  His entire album centers around the turmoil that followed a failed marriage, so all of his songs have a shared meaning in love and loss.  Be Honest is unique in that it has a very driving beat and higher energy than his other singles.  When we discussed ideas for the music video we tossed around all things relating to what honesty is and what it means in different forms.  We landed on the idea of chameleons and their ability to shift their colors.  How this effects their ability to be honest or dishonest with their surroundings and who they are.  We took the idea a step further by having a central character who did not want to conform with the ever changing colors he is being bombarded with on a daily basis. With this in mind I took off to sketching out and developing more ideas, characters, and storyboards.

As you can see my sketchbook is very stream of conscious and rough.  I like to spend the majority of my time actually developing the art and animation.  I use my sketches as a quick way to just put my ideas on paper.  I did everything from research about chameleons to looking at all shapes and sizes of the species. Once I had these things locked down I went into creating my characters and assets.  I knew I wanted the look to be vibrant and alive to match the emotion of the song, so instead of using a clean vector look in Illustrator, I decided to use hand drawn elements in Photoshop to give everything a much more textural feeling.

Now that my assets were created, I was free to bring everything into After Effects and just get down to the nitty gritty of rigging and animating.  When rigging characters I use a program called Duik.  This is a free program that works great with setting up character rigs within After Effects.  All you have to do is label and parent your elements properly and you have a working character rig within minutes.

It's a little challenging showing all the layers in one shot, but this is what the set up looks like after the rigging is done and Duik has performed it's magic.  Basically I get a set of about 8 controls that let me easily manipulate the character in a way that makes sense.  Once this is complete with all the various characters I do all my animating.  After many hours and hundreds of keyframes you end up with the music video you see below.  I hope you enjoy it as much as I did making it!

Sun Maker

A little late to the show, but I'm finally getting around to sharing the film I created with my friends for Sylvania's 2016 Tree City Film Festival. This film was a part of the 50-hour challenge during the festival. This basically means we had 50 hours to write, shoot, and edit a film (not a lot of time for those of you who don't know!) Before the teams break out and begin they are each given a genre (ours was western), a prop (lightbulb), a character name (Robin Chandler), and a line of dialogue ("it's in the trunk."). All of these elements must be incorporated somehow into your film for you to be accepted. So, we got our elements on Friday night and set off into the weekend of work and filming. We honestly used EVERY bit of time we had to make this film come to life, but I've honestly never been more proud of something that I filmed. We shot the whole thing on just my iPhone using the Filmic Pro app and a Moondog Anamorphic lens. After all was said and done I'm happy to say that this year, our 3rd time entering the festival, we won best picture! Ok, enough suspense, please enjoy both the film and the behind-the-scenes below.

After Effects: Cineware & Cinema 4D Lite

As many people are finding out, the next version of After Effects will have Cinema 4D integration.  This is huge news and will be a much easier way for motion graphics artists to get 3D work into their animations. Learn more about it in the video below.

The History (and Future) of Rotoscoping in After Effects

God I love the time we live in. Seriously cool things coming for rotoscoping Adobe After Effects.